Frank Zappa & The Mothers Of Invention - Uncle Meat - 180g 2LP Vinyl Record

Frank Zappa and The Mothers of Invention released their iconic double album in 1969, originally conceived under the intriguing title "No Commercial Potential." This innovative project led to three other interconnected albums: "We're Only In It For the Money," "Lumpy Gravy," and "Cruising With Ruben & The Jets." It was intended as a vibrant soundtrack to a science fiction film that ultimately didn’t get completed due to funding challenges. However, Zappa did share a film with test footage from the project in 1987. The album cover features the playful title Uncle Meat (Most of the Music From the Mother's Movie of the Same Name Which We Haven't Got Enough Money To Finish Yet). With a rich blend of jazz, orchestral, blues, and rock influences, Uncle Meat has earned praise for its groundbreaking recording and editing techniques, including exciting experiments with tape speed and overdubbing, resulting in a wonderfully diverse sound.

LP 1
1. Uncle Meat: Main Title Theme
2. The Voice of Cheese
3. Nine Types of Industrial Pollution (400 Days of the Year)
4. Zolar Czakl
5. Dog Breath, in the Year of the Plague
6. The Legend of the Golden Arches
7. Louie Louie (At the Royal Albert Hall in London)
8. The Dog Breath Variations
9. Sleeping In A Jar
10. Our Bizarre Relationship
11. The Uncle Meat Variations
12. Electric Aunt Jemima
13. Prelude to King Kong
14. God Bless America (Live at the Whisky A Go Go)
15. A Pound For A Brown On the Bus
16. Ian Underwood Whips It Out (Live on a Stage in Copenhagen)

LP 2
1. Mr. Green Genes
2. We Can Shoot You
3. If We'd All Been Living In California
4. The Air
5. Project X
6. Cruising For Burgers
7. King Kong Itself (as played by the Mothers in a studio)
8. King Kong (it's magnificence as interpreted by Dom DeWild)
9. King Kong (as Motorhead explains it)
10. King Kong (the Gardner Varieties)
11. King Kong (as played by 3 deranged Good Humor Trucks)
12. King Kong (live on a flat bed diesel in the middle of a race track at a Miami Pop Festival... the Underwood ramifications)